I intend to edit Man Crossing Street this week, it's going to be in black and white and very noisy. For now, here's some ad hoc stills Alex took on his phone, plus some subsequent stills I took with my phone. They feel very different to the footage we shot because of the sound and the movement, and also because the motion pictures are more tightly structured. In a sense then, these stills almost represent an entirely different project, as oppose to a fun addition to the film. Cheers, James.
The following are courtesy of Alex Loveridge
The Great John Giles on camera.
And here's some additional shots by me.
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