Phone Box Gun is neither comic nor dramatic: one viewer may find a certain moment in the film to be funny, another may find the same moment to be sad, and another still may find no interest in it at all. All responses are valid. What I am doing is creating a very obvious line of action (or plot) - in the case of this film we have a protagonist who commits robbery in order to get cash - and follow that line to it's logical end. The film exist as a culmination of filmmaking choices in service of that line of action.
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